New media project, reconfigured as a sensor of the points of contact between mixed and augmented realities, metaphysical phenomena, and virtual life.
Active since 2007, starting from the exploitation of electroacoustic compositions, which built bridges towards the beginning of an active research of digital art on the net, probing different concepts such as postinternet, transhumanism, cyberchamanism among others.
His work has been presented in several countries, both in group and solo exhibitions, experimenting with different media and formats such as video art, animation, 3d printing, virtual reality, livecoding, augmented reality as well as audiovisual livesets.
Where does inspiration comes from?
From a rather broad and not proportionally fair perspective, it can be thought that there is no event in our lives that does not influence our actions.
This premise, however, leaves us with a certain sense of descriptive drought. We collect our memories as if we were manipulating video editing software. We select moments to exalt them, others we choose to cut or perhaps distort them.
Can we choose inspiration? or does inspiration invite us into its eclipsing game? Inspiration seems uncontrollable, it flows beyond a pretended personal control, without belonging to me, it is there, and allows me to share moments with it.
What kind of music do you listen to?
Yes, I am now listening to the catalog of 2 labels, Soulfedder and Unizone.
I have a crop of glitches, who live their lives by their own rules, I'm not proud but I don't hide it either.
The ability to self-link juxtaposes and links the multi-dimensional and generative effect of the mixed emotions of suspended time.
Posthuman Alien Hybrid mirror another consciousness or brain beyond our own body;it could be any other physical entity whose existence serves only the survival needs posed by hormonally engineered life. No animal, plant material, genetic substance or chemical structure can function without an external environment of some sort to satisfy its specific desires and sensory responses. All kinds have evolved within a context not unlike ours because they were placed with adequate information capacity on internet.
Salvia Glitch, 2018
Through a certain capacity of disinstallation, the vertices exaggerate and diffuse the multicyclic plane. We can think for a moment the paradoxical maximalism that this statement shows, through the way in which the fracture of it is restructured. The intervention expresses these complicities through its interzonal resonance through the glitch. This glitch on the off-centered landscape opposes and clashes with consequences and contrasts to decide the specificities of the rightness of the wrongness in a method of ex rostro. This production of indirections navigates formal legibility towards a paradoxically unforced parameter.